​🎬 Welcome to Film Labs LUTs
Your journey into rich, cinematic color starts here.

Film Labs LUTs are a collection of high-quality film emulation LUTs designed to bring the rich, timeless look of real film stocks to your digital footage. Inspired by classic Kodak and Fuji stocks, each LUT is crafted to replicate the color, contrast, and character of analog film—giving your edits a cinematic edge without the complexity.
Whether you're working on a short film, music video, or commercial project, Film Labs LUTs offer an easy, professional-grade solution to elevate your color grading.

Film Labs is Rocket Rooster’s flagship collection of high-fidelity film emulation LUTs—crafted to bring the rich character of Kodak and Fuji motion picture stocks into your digital workflow. These LUTs are designed with precision to emulate the nuanced behavior of real film: density, contrast, and color response, faithfully matching the qualities of iconic stocks like Kodak 5213, 5207, and more.
Each LUT is handcrafted using a hybrid process of real film reference, color science, and practical grading expertise—delivering superior cinematic results that feel organic and emotionally resonant, not artificial or over-stylized.

📦 Now available in single-stock sets
You can now collect the Film Labs emulations one film stock at a time, making it the most affordable way to get authentic, professional-grade film looks in your toolkit.
Each individual stock set includes 4 distinct flavors to suit different workflows and creative needs:

• 🎛 Technical Best Light – Balanced, clean, ready for creative grading.
• 📷 Pre-Processed – Flat and flexible, great for full custom grading.
• 🎞 With Kodak 2383 Print – Rich contrast and color, true film print look.
• 🎞 With Fuji 3513 Print – Cooler tones and clean highlight rolloff.

Whether you're working on narrative, commercial, or personal projects, Film Labs gives you timeless analog warmth without compromising digital flexibility.

THE KODAK STOCKS

​Film Labs captures the color science and tonal response of iconic Kodak cinema stocks—trusted by generations of filmmakers. From the balanced, cinematic tones of Kodak 5213 to the deep contrast of Kodak 2383 print film, these LUTs are built to bring the rich, expressive palette of motion picture film into your digital workflow.

 Kodak 5213 (Vision3 200T)

​A go-to tungsten-balanced stock with subtle color, smooth highlight rolloff, and gentle contrast—ideal for controlled lighting or balanced skin tones.

Kodak 5205 (Vision2 250D)

Classic daylight stock with a cooler tone and slightly more contrast than 5207. Ideal for a slightly vintage or documentary feel.

Kodak 5201 (Vision3 50D)

Perfect for bright exteriors, this stock delivers soft contrast and crisp detail with delicate color.
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Kodak 5207 (Vision3 250D)

Daylight-balanced with clean midtones and natural color separation. Great for outdoor or mixed lighting—versatile and cinematic.

Kodak 7201 (Vision2 50D – Super 16mm)

Fine-grain 16mm daylight film with a pastel-like color palette. Clean but nostalgic—perfect for indie, sunlit, or retro looks.

Kodak 7219 (Vision3 500T – Super 16mm)

Tungsten-balanced 16mm film with a cinematic, gritty edge. Strong contrast and warm shadows—ideal for night or moody interiors.

Ektachrome 100D

High-saturation reversal stock with bold color, crisp highlights, and vintage punch. Great for music videos, commercial, or stylized work.

Kodak Portra 160VC

Natural skin tones and soft pastel color with subtle contrast. Emulates a calm, dreamy feel—ideal for portraits and slower-paced visuals.

Kodak Supra 400

A balanced negative film with rich tones. Soft contrast with a filmic mood—great for narrative work.

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THE FUJI STOCKS

Fuji 250D

A daylight-balanced stock with fine grain and a soft, natural palette. Fuji 250D is known for its gentle skin tones, subtle contrast, and true-to-life color—ideal for outdoor scenes and natural lighting.

Fuji 500T

A tungsten-balanced stock with excellent latitude and shadow performance. Fuji 500T delivers cooler highlights and soft cyan-greens, often favored for its cinematic mood and clean low-light response.

Fuji 8520

A versatile daylight film stock from Fuji’s motion picture line. 8520 is marked by its neutral midtones and balanced contrast, delivering a smooth, organic image with natural rolloff in the highlights.

​Fuji 8532

​A tungsten stock with a slightly punchier color profile than 8520. Fuji 8532 provides refined skin tones, crisp contrast, and low grain, making it perfect for stylized nighttime interiors and moody urban visuals.

Fuji Astia 100

Renowned for its soft color reproduction and ultra-fine grain, Astia 100 is a favorite among portrait and beauty shooters. It gives a low-saturation, creamy pastel look that feels timeless and elegant.

Fuji Vivid 250D

A more contrasty, saturated daylight stock with snappy colors and vibrant warmth. Vivid 250D is ideal for commercials, music videos, or anytime you want your image to pop with bold, energetic color.

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How about you collect them all—plus 19 more premium LUTs, real film grain scans, and more?
Build your ultimate film emulation toolkit one look at a time—or grab the full set and unlock the complete Rocket Rooster aesthetic.

​What’s Inside?
​Premium Film Emulation LUTs – Recreate the color, contrast, and texture of legendary film stocks with precision-crafted LUTs.
Authentic Film Grain Overlays – Add depth and texture with real scanned 35mm, 16mm, and 8mm film grain.
Digital Diffusion & Halation PowerGrades – Achieve the softness, glow, and light diffusion of high-end cine lenses, fully customizable in DaVinci Resolve.
Professional Look Presets – Get cinematic results instantly with pre-configured grading looks inspired by Hollywood films.
Manual and Guide
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Why Choose the Film Labs?- Authentic Film Look – No gimmicks. Just stunning, true-to-life color science.
- Designed for Professionals – Built for Premiere Pro, DaVinci Resolve, Final Cut Pro, and more.
- Time-Saving Workflow – Spend less time tweaking and more time creating.

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Rec709
All Film Emulations (Rec709)
10 FIlm Grain (4K)
Halation (Resolve)
Diffusion (Resolve)
Great for Cinematographers, Videographers or Colorists delivering Rec709 and using other correction LUTs or CST as primary base correction. ​

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